Courses:

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Course Texts

Deutsch, D., ed. The Psychology of Music. San Diego, CA: Academic Press, 1998. ISBN: 9780122135644.

Handel, S. Listening: An Introduction to the Perception of Auditory Events. Cambridge, MA: MIT Press, 1989. ISBN: 9780262081795.

Snyder, Bob. Music and Memory. Cambridge, MA: MIT Press, 2001. ISBN: 9780262194419.

McAdams, and Bigand. Thinking in Sound: The Cognitive Psychology of Human Audition. New York, NY: Oxford University Press, 1993. ISBN: 9780198522584.

Aello, R., ed. Musical Perceptions. New York, NY: Oxford University Press, 1994. ISBN: 9780195064759.

Moore, B. C. J. An Introduction to the Psychology of Hearing. 5th ed. San Diego, CA: Academic Press, 2003. ISBN: 9780125056281.


Additional Readings (grouped by topic)

General Sources

Audio Demonstrations (CD), Acoustical Society of America.

Christensen,Thomas ed. Cambridge Handbook of the History of Western Music Theory. Cambridge, MA: Cambridge University Press, 2002. ISBN: 9780521623711.

Seashore, Carl E. Psychology of Music. New York: McGraw-Hill, 1938.

Zatorre, Robert J. The Biological Foundations of Music. Vol. 930. New York: New York Academy of Sciences, 2001.

Pitch

Burns, Edward M. "Intervals, Scales, and Tuning". In The Psychology of Music. 2nd ed. Edited by D. Deutsch. San Diego, CA: Academic Press, 1999.

Slaney, Malcolm, and Richard F. Lyon. "On the Importance of Time - A Temporal Representation of Sound." In Visual Representations of Speech Signals. Edited by M. Crawford. New York: John Wiley, 1993.

de Boer, E. "On the "Residue" and Auditory Pitch Perception." In Auditory System (Handbook of Sensory Physiology). Edited by W. D. Neff. Berlin: Springer Verlag, 1976.

Wightman, F. L., and D. M. Green. "The Perception of Pitch." American Scientist 62 (1974): 208-215.

Goldstein, J. L. "An Optimum Processor Theory for the Central Formation of the Pitch of Complex Tones." J. Acoust. Soc. Am. 54, no. 6 (1973): 1496-1516.

Moore, B. C. J. An Introduction to the Psychology of Hearing. 5th ed. San Diego, CA: Academic Press, 2003. ISBN: 9780125056281.

Lyon, Richard, and Shihab Shamma. "Auditory Representations of Timbre and Pitch." In Auditory Computation. Edited by R. R. Fay. New York: Springer Verlag, 1996.

de Cheveigné, Alain. "Pitch Perception Models." In Pitch. Edited by A. J. Oxenham. New York: Springer Verlag. (In press.)

Meddis, R., and M. J. Hewitt. "Virtual Pitch and Phase Sensitivity of a Computer Model of the Auditory Periphery. I. Pitch Identification." J. Acoust. Soc. Am. 89, no. 6 (1991): 2866-2882.

———. "Virtual Pitch and Phase Sensitivity of a Computer Model of the Auditory Periphery. II. Phase Sensitivity." J. Acoust. Soc. Am. 89, no. 6 (1991): 2883-2894.

Cariani, Peter A., and Bertrand Delgutte. "Neural Correlates of the Pitch of Complex Tones. I. Pitch and Pitch Salience. II. Pitch Shift, Pitch Ambiguity, Phase-invariance, Pitch Circularity, and the Dominance Region for Pitch." J. Neurophysiology 76, no. 3 (1996): 1698-1734.

Cariani, P. "Temporal Coding of Periodicity Pitch in the Auditory System: An Overview." Neural Plast 6, no. 4 (1999): 147-72.

Schwarz, D. W. F., and R. W. W. Tomlinson. "Spectral Response Patterns of Auditory Cortical Neurons to Harmonic Complex Tones in Alert Monkey (Macaca Mulatta)." Journal of Neurophysiology 64 (1990): 282-298.

Terhardt, E. "Pitch, Consonance, and Harmony." J. Acoust. Soc. Am. 55 (May, 1974): 1061-1069.

Terhardt, Ernst, Gerhard Stoll, and Manfred Seewann. "Pitch of Complex Signals according to Virtual-Pitch Theory: Test, Examples, and Predictions." J. Acoust. Soc. Am. 71, no. 3 (1982): 671-678.

Timbre

See Handel on Source Identification and Discussion of Phonetic and Musical.

Risset, Jean-Claude. "Musical Acoustics." In Handbook of Perception. Edited by M. P. Friedman. New York: Academic Press, 1978.

Consonance

Rasch, R., and R. Plomp. The Perception of Musical Tones. Edited by D. Deutsch, San Diego, CA: Academic Press, 1999, pp. 89-112.

Plomp, Reinier. Aspects of Tone Sensation. London: Academic Press, 1976.

Plomp, R., and W. J. M. Levelt. "Tonal Consonance and Critical Bandwidth." J. Acoust. Soc. Am. 38 (1965): 548-560.

Kameoka, A., and M. Kuriyagawa. "Consonance Theory I. Consonance of Dyads." J. Acoust. Soc. Am. 45 (1969): 1451-1459.

———. "Consonance Theory II. Consonance of Complex Tones and Its Calculation Method." J. Acoust. Soc. Am. 45 (1969): 1460-1469.

Sethares, William. Tuning, Timbre, Spectrum, Scale. London: Springer, 1999.

Terhardt, E. "Pitch, Consonance, and Harmony." J. Acoust. Soc. Am. 55 (May, 1974): 1061-1069.

von Helmholtz, Hermann. On The Sensations of Tone as a Physiological Basis for The Theory of Music. New York: Dover, 1895. (Reprint 1954).

Stumpf, C. Tonpsychologie. Vols. I and II. Leipzig: S. Hirzel, 1883/1890.

Tramo, M. J., P. A. Cariani, B. Delgutte, and L. D. Braida. "Neurobiological Foundations for the Theory of Harmony in Western Tonal Music." Ann N Y Acad Sci 930 (2001): 92-116.

DeWitt, Lucinda A., and Robert G. Crowder. "Tonal Fusion of Consonant Musical Intervals: The Oomph in Stumpf."  Perception and Psychophysics 41, no. 1 (1987): 73-84.

Scales and Tunings

Sethares, William. Tuning, Timbre, Spectrum, Scale. London: Springer, 1999.

Tonality and Harmony

Rameau, J. P. Treatise on Harmony. Translated by P. Gossett. New York: Dover, 1722. (Reprint 1971).

Handel, S. Listening: An Introduction to the Perception of Auditory Events. Cambridge, MA: MIT Press, 1989. ISBN: 9780262081795.

Piston, W. Harmony. 5th ed. New York, NY: W. W. Norton & Company, 1987. ISBN: 9780393954807.

Bharucha, J. J., and K. Stoeckig. "Reaction Time and Musical Expectancy: Priming of Chords." J. Exp. Psychol. (Human Perception and Performance) 12 (1986): 403-410.

Tillman, B., J. J. Bharucha, and Emmanuel Bigand. "Implicit Learning of Tonality: A Self-organizing Approach." Psychological Review 107, no. 4 (2000): 885-913.

Janata, P., J. L. Birk, J. D. Van Horn, M. Leman, B. Tillmann, and J. J. Bharucha. "The Cortical Topography of Tonal Structures underlying Western Music." Science 298, no. 5601 (2002): 2167-70.

Bharucha, Jamshed J. "Neural Nets, Temporal Composites, and Tonality." In The Psychology of Music. Edited by D. Deutsch. San Diego, CA: Academic Press, 1999.

Bharucha, Jamshed J., and Peter M. Todd. "Modeling the Perception of Tonal Structure with Neural Nets." In Connectionism and Music. Edited by G. Loy. Cambridge, MA: MIT Press, 1991.

Krumhansl, Carol L. Cognitive Foundations of Musical Pitch. New York: Oxford University Press, 1990.

Melody

Handel, S. Listening: An Introduction to the Perception of Auditory Events. Cambridge, MA: MIT Press, 1989. ISBN: 9780262081795.

Deutsch, Diana. Grouping Mechanisms in Music. Edited by D. Deutsch. San Diego, CA: Academic Press, 1999.

Rhythm and Time Perception

Essens, Peter J., and Dirk-Jan Povel. "Metrical and Nonmetrical Representations of Temporal Patterns." Perception and Psychophysics 37, no. 1 (1985): 1-7.

Clynes, M., and J. Walker. "Neurobiologic Functions, Rhythm, Time, and Pulse in Music." In Music, Mind, and Brain: the Neuropsychology of Music. Edited by M. Clynes. New York: Plenum, 1982.

Clynes, Manfred. "When Time is Music." In Rhythm in Psychological, Linguistic, and Musical Processes. Edited by M. Clynes. Springfield, IL: Charles C. Thomas, 1986.

Clarke, E. F. Rhythm and Timing in Music. Edited by D. Deutsch. San Diego, CA: Academic Press, 1999.

Large, Edward. "Periodicity, Pattern Formation, and Rhythmic Structure." J. New Music Research 30, no. 2 (2001).

Fraisse, Paul. The Psychology of Time. New York: Harper and Row, 1978.

———. "Time and Rhythm Perception." In Handbook of Perception. Volume VIII. Perceptual Coding. Edited by M. P. Friedman. New York: Academic Press, 1978.

Jones, Mari Riess. "Time, Our Lost Dimension: Toward a New Theory of Perception, Attention, and Memory." Psychological Review 83, no. 5 (1976): 323-255.

———. "Perspectives on Musical Time." In Action and Perception in Rhythm and Music. Edited by A. Gabrielsson. Stockholm: Royal Swedish Academy of Music, 1987.

Jones, Mari Riess, and William Yee. "Attending to Auditory Events: the Role of Temporal Organization." In Thinking in Sound: The Cognitive Psychology of Human Audition. Edited by E. Bigand. Oxford: Clarendon Press, 1993.

Temporal Models

Cariani, Peter. "Temporal Codes, Timing Nets, and Music Perception." J. New Music Res. 30, no. 2 (2002): 107-136.

Leman, Marc. "An Auditory Model of the Role of Short-term Memory in Probe-tone Ratings." Music Perception 17, no. 4 (2000): 481-510.

Auditory Grouping

Bregman, Albert S. Auditory Scene Analysis: The Perceptual Organization of Sound. Cambridge, MA: MIT Press, 1990.

Snyder. (course text)

Stumpf, C. Tonpsychologie. Vols. I & II. Leipzig: S. Hirzel, 1883/1890.

Darwin, C. J., and R. P. Carlyon. "Auditory Grouping." In Handbook of Perception and Cognition: Hearing. Edited by B. C. J. Moore. New York: Academic Press, 1995.

Deutsch, Diana. "The Processing of Pitch Combinations." In The Psychology of Music. Edited by D. Deutsch. San Diego, CA: Academic Press, 1999.

Leman, Marc. ed. Music, Gestalt, and Computing. Berlin: Springer, 1997.

Music and the Cortex

Tramo, Mark Jude. "Music of the Hemispheres." Science 291 (2001): 54-56.

Janata, P., J. L. Birk, J. D. Van Horn, M. Leman, B. Tillmann, and J. J. Bharucha. "The Cortical Topography of Tonal Structures Underlying Western Music." Science 298, no. 5601 (2002): 2167-70.

Tramo, Mark Jude, Gaurav D. Shah, and Louis D. Braida. "The Functional Role of Auditory Cortex in Frequency Processing and Pitch Perception." J. Neurophysiol 87 (2002): 122-139.

Zatorre, R. J., A. C. Evans, and E. Meyer. "Neural Mechanisms underlying Melodic Perception and Memory for Pitch." The Journal of Neuroscience 14, no. 4 (1994): 1908-1919.

Samson, S., and R. J. Zatorre. "Contribution of the Right Temporal Lobe to Musical Timbre Discrimination." Neuropsychologia 32, no. 2 (1994): 231-240.

Music and Speech Perception

Handel, S. Listening: An Introduction to the Perception of Auditory Events. Cambridge, MA: MIT Press, 1989. ISBN: 9780262081795.

Moore B. C. J. An Introduction to the Psychology of Hearing. 5th ed. San Diego, CA: Academic Press, 2003. ISBN: 9780125056281.

Patel, A. D., I. Peretz, M. J. Tramo, and R. Labreque. "Processing Prosodic and Musical Patterns: A Neuropsychological Investigation." Brain and Language 61 (1998): 123-144.

Music, Language, and Cognition

Bernstein, L. The Unanswered Question. Norton Lectures. DVD, audio, book.

Lerdahl, F. and R. Jackendoff. A Generative Theory of Tonal Music. Cambridge, MA: MIT Press, 1996. ISBN: 9780262621076.

Lerdahl, F. Tonal Pitch Space. New York, NY: Oxford, 2001. ISBN: 9780195058345.

Bigand, in McAdams and Bigand. (course text)

Emotion, Meaning, and Expectation

Meyer, Leonard B. Emotion and Meaning in Music. U. Chicago, IL: Chicago, 1961. ISBN: 9780226521398.

Evolutionary Perspectives

Wallin, N. L., Merker, B., and Brown, S. eds. Origins of Music. Cambridge, MA: MIT Press, 2001. ISBN: 9780262731430.

Hauser, M. D. The Evolution of Communication. Cambridge, MA: MIT Press, 1996.

Development

Trehub, S. E. "Infants' Perception of Musical Patterns." Perception and Psychophysics 41, no. 4 (1987): 635-641.

Trainor, L. J., and S. E. Trehub. "A Comparison on Infants' and Adults' Sensitivity to Western Musical Structure." Journal of Experimental Psychology: Human Perception and Performance 18, no. 2 (1992): 394-402.

Musical Performance

Clarke, Eric F. "Generativity, Mimesis and the Human Body in Music Performance". Contemporary Music Review 9, parts 1 and 2 (1993): 207-219.