Description The term project may be a research paper, review paper, or research project (e.g. psychological or physiological experiment, computer model/simulation) related to the psychology of music. Students are required to give oral presentations on their selected topics early in the term and present their project results at the end of the term. Final project papers (25-30 pp. double-spaced) are due on the last day of class.
Some Possible Term Project Topics
These are just some ideas and general topics to get you started in thinking about a project. Choose a topic that is closest to your strongest interests and narrow down the focus of the project.
Music Perception
Music synthesis and timbre perception
Consonance and the construction of musical scales
Overtones and undertones in the theories of harmony
Biological and cultural determinants of tonal preferences
Absolute pitch: categorical perception, perceptual labeling, associative learning and/or auditory memory?
Topology of pitch space (Shepard, Krumhansl)
Temporal theories of music (Boomslider and Creel)
Music perception by cochlear implant users
Perceptual considerations in the design of musical instruments
Architectural acoustics and music perception
Psychoacoustical study: consonance of dyads and triads: pure and complex tones
Psychoacoustical study: limits of musical tonality
Psychoacoustical study: limits of rhythmic perception
Psychological study: What aspects of music do people remember? Melody, rhythm, lyrics, etc.
Psychological survey: How important is music to happiness? Identity? How does it rank amongst other aspects of life?
Computer simulation: auditory nerve simulation of musical sounds (Computer programs are available)
Computer models of pitch and rhythm: clocks, oscillators, delay lines, neural nets
Musical composition: Should be accompanied by an in depth discussion of the psychological factors explored in the piece
Music Cognition
The basis of melodic invariance?
Tonal schematas
Rhythmic hierarchies
Recognition of musical style
Musical phonetics: similarities and contrasts between music and speech
Music and linguistics: similarities and contrasts between music and language
Musical imagery
Musical humor (psychological theories of humor and how musical humor fits in)
How do animals experience music? How unique is the human experience of music?
Music and pleasure: an overview of competing explanations
Musical analgesia: use of music to mask pain (e.g. by dentists)
Music and addiction: is music psychologically addictive?
The role of music in identity formation
Determinants of taste: social psychology of music
Personality and musical style
Musical creativity
Music therapy: evaluation of current approaches
Developmental Issues
Neuroscience of Music
Neural mechanisms for pitch perception
Neural models for pitch perception
Functional imaging using musical stimuli
Music and Memory: Attention Span and Musical Structure
Long term memory of musical melodies
Rhythm, melody, lyrics and memory formation
Psychological theory of the hit song: what makes a pop song hook memorable?
Unwanted visitors or why can't I get that song out of my head?
Psychological roots of emotion and meaning in music
The perception of time
The neurophysiology of temporal expectations (e.g. event-related potentials)
The psychology of music and movement (perceptual and kinesthestic)
Body rhythms and rhythm perception
Performance
History
Music and mind in ancient Greek thought (Pythagoreans, Plato, Aristotle, Greek physics)
Metaphors of universal harmony in Music, Physics, Psychology, and Social Theory
Gestaltist theories of music: Carl Stumpf's tonal fusion, melody as relation
Associationist theories of music: Helmholtz and modern connectionism