| 1 | Introduction to the Course: Why Write from Experience? |  |  | Distribute syllabus, course information forms, and the following assignments: Exercise 1.1, Essay #1, Writer's Letter, Reader/Writer Notebook assignment Sample student writing | 
| 2 | Crafting the Self: Experience and the Shaping of Identity | In Fields of Reading: 
 Walker, Alice. "Beauty: When the Other Dancer Is the Self." pp. 42-49.
 
 Cofer, Julia Ortiz. "The Story of My Body." pp. 93-102.
 
 | Writer's Letter, Exercise 1.1 (bring 6 copies), Notebook assignment on Alice Walker | Small Groups: Exercise 1.1
 Sample student writing
 Discuss Assigned Readings | 
| 3 | Crafting the Self: Experience and the Shaping Of Identity 
 Writing as Process: Prewriting, Drafting, and Revising
 | In Fields of Reading: 
 "Reflecting." pp. 25-30.
 
 Orwell, George. "Shooting an Elephant." (p. 114-120)
 
 ———. 1984. (Excerpt)
 | Notebook assignment: Comment on the connections between "Shooting an Elephant" and the 1984 excerpt | Discuss Assigned Readings | 
| 4 | Crafting the Self: Experience and the Shaping of Identity Diary/Journal as a Narrative form | In Fields of Reading: 
 Douglass, Frederick. "Learning to Read And Write." pp. 62-67.
 
 Frank, Anne. "At Home, In School, In Hiding." pp. 171-180.
 
 Hampl, Patricia. "The Whole Anne Frank." pp. 22-24.
 | Notebook assignment on Frank reading 
 First Version, Essay #1 - Two copies with cover letter, Workshop Students: email essays as Word documents to class
 | Discuss Assigned Readings Distribute/Review WorkshopInstructions
 | 
| 5 | The Craft Of Revision Workshop: First Version, Essay #1 |  | Response Letters to Classmates | Workshop: First Version, Essay #1 
 Discussion of Student Essays
 | 
| 6-7 | Self in Society: Language, Legitimacy and the Writer's Craft | In Fields of Reading: 
 Baldwin, James. "If Black English Isn't a Language, Then Tell Me, What Is?" pp. 532-535.
 
 Tan, Amy. "Mother Tongue." pp. 68-73.
 | Notebook assignment on Baldwin and Tan
 Service Learning Proposals
 
 Revision, Essay #1 - Two copies with cover letter and marked-up first version (and Exercise 1.1, if applicable)
 | Distribute Essay #2 Assignment Sheet
 Discuss Assigned Readings | 
| 8 | Self in Society: Learning, Schooling and Identity | In Fields of Reading: 
 Angelou, Maya. "Graduation." pp. 31-41.
 
 Sizer, Theodore R. "What High School Is." pp. 345-355.
 
 Boufis, Christine. "Teaching Literature at the County Jail." pp. 198-205.
 | Notebook assignment comparing styles of Angelou and Sizer | Discuss Assigned Readings | 
| 9 | Self in Society: Educational Experience and Privilege 
 Ethics of the Writer
 
 Working With Secondary Sources
 | Mead, Rebecca. "Sophie's World." New Yorker 75, no. 31 (October 18/25, 1999): 184-93. 
 Witherspoon, Abigail. "This Pen for Hire: On Grinding Out Papers for College Students" Harpers 290 (June 1995): 49-57. (Handout)
 | Notebook assignment on Witherspoon | Discuss Assigned Readings | 
| 10 | The Self and the World of Work: Writing About Work and Work-Related Issues | In Fields of Reading: 
 Ehrenreich, Barbara. Nickel and Dimed: On (Not) Getting By in America. pp. 760-774.
 
 Gornick, Vivian. "Working in the Catskills." pp. 753-759.
 | Notebook assignment on Ehrenreich | Discuss Assigned Readings | 
| 11 | The Self and the World of Work 
 Working with Primary Sources
 
 Interviewing
 | In Fields of Reading: 
 Kamber, Michael. "Toil and Temptation." pp. 205-216.
 
 Mills, C. Wright. "White Collar Work." pp. 731-752.
 
 Schlosser, Eric, and Jon Lowenstein. "Making it Work." pp. 775-783.
 | Notebook assignment comparing Schlosser and Lowenstein and Kamber
 First Version, Essay #2 - Two copies with cover letter, email essays to workshop group members
 | Discuss Assigned Readings Distribute/Review WorkshopInstructions
 Review Writer's Methods: Interviewing | 
| 12 | Workshop, First Version, Essay #2 |  | Response Letters to Classmates | Workshop, First Version, Essay #2 | 
| 13 | Writing about the Meaning of Work 
 Writing as Work
 
 The Role of the Writer
 | "Writers on Writing" series, New York Times . (Distributed in class)
 Quindlen, Anna. "The Eye of the Reporter, the Heart of The Novelist." New York Times, Sept. 2, 2002.
 
 Orwell, George. "Politics and the English Language." pp. 536-547.
 Sample Selections from WRITERS ON WRITING series |  | Oral Presentations | 
| 14 | Writing About the Ethics of Work | Mead, Rebecca. "Eggs for sale." New Yorker 75, no. 22 (August 9, 1999): 56-65. In Fields of Reading:
 Schlosser, Eric. "Why McDonald's Fries Taste So Good." pp. 308-318.
 | Notebook assignment on Mead | Discuss Assigned Readings | 
| 15 | The Self and the Community: Experience and "Catalyst Writing" | Carson, Rachel. Silent Spring. 40th anniversary ed. Boston: Houghton Mifflin, 2002. (Originally published in 1962.) (Excerpt) 
 Friedan, Betty. The Feminine Mystique. New York: W.W. Norton, 2001. (Excerpt - originally published in 1963)
 
 Klein, Naomi. No Logo. New York: Picador: Distributed by Holtzbrinck Publishers, 2002. (Excerpt)
 
 Documentary Film Clip: No Logo.
 | Notebook Exercise on Carson, Friedan and Klein 
 Revision, Essay #2 - Include cover letter + marked-up first version
 | Discuss Assigned Readings | 
| 16 | Catalyst Writing #2: Drawing upon Experience to Write about Social Change | In Fields of Reading: 
 King, Martin Luther Jr. "Letter From A Birmingham Jail." pp. 617-631.
 
 Documentary Film Clip: Eyes On the Prize.
 | Notebook assignment on King | Discuss Assigned Readings | 
| 17 | Drawing Upon Experience to Create Fiction | In On Writing Short Stories: 
 Baldwin, James. "Sonny's Blues."
 | Notebook assignment on Baldwin
 First Version, Essay #3, email essays for workshop
 | Discuss Assigned Readings | 
| 18 | Drawing Upon Experience to Create Fiction (cont.) | In On Writing Short Stories: 
 Dubus, Andre. "A Father's Story." pp. 288-303.
 
 ———. "The Habit of Writing."  pp. 90-96.
 | Notebook assignment on Dubus | Discuss Assigned Readings Distribute/Review WorkshopInstructions
 | 
| 19 | Workshop, First Version, Essay #3 |  | Response Letters to Classmates | Workshop, First Version, Essay #3 | 
| 20 | Drawing Upon Experience to Create Fiction (cont.) | In On Writing Short Stories: 
 Olsen, Tillie. "I Stand Here Ironing." pp. 149-154.
 | Notebook assignment: One-page character sketch (for potential short story): Include a demographic profile of your character (age, race, gender, occupation, etc.) and a short sketch of your character in action 
 Revision, Essay #3
 | Discuss Assigned Readings | 
| 21 | Drawing Upon Experience to Create Fiction (cont.) | In On Writing Short Stories: 
 O'Connor, Flannery. "Everything That Rises Must Converge." pp. 171-182.
 
 Steinbeck, John. "The Chrysanthemums." pp.  163-170.
 | Notebook assignment on either story 
 Draw a "character web" of a fictional character in relationship to other characters. Write a short scene involving your character and at least two other characters in the web
 | Discuss Assigned Readings | 
| 22 | Drawing Upon Experience to Create Fiction (cont.) | In On Writing Short Stories: 
 Wolff, Tobias. "Bullet in the Brain." pp. 311-314.
 
 Short Film. "Bullet in the Brain."
 | Notebook assignment on Wolff 
 First Version Essay #4
 | Discuss Assigned Readings | 
| 23 | Drawing Upon Experience to Create Fiction (cont.) | In On Writing Short Stories: 
 O'Brien, Tim. "The Things They Carried."
 | Notebook assignment on O'Brien | Distribute/Review Workshop Instructions
 | 
| 24 | Workshop, First Version, Essay #4 |  | Response Letters to Classmates | Workshop, First Version, Essay #4 | 
| 25 | Publication Workshop 
 Course Evaluations
 
 Student Readings
 |  |  |  | 
| 26 | Last Class - Student Readings, Celebration |  | Final Portfolios with Revision Essay #4 |  |